mystified Versus Seism (Split)

There’s something about the idea of a split release that evokes in me a sense of heartfelt nostalgia. I can’t help but be overcome with the same feeling that I got as a teenager, buying punk rock split 7″ singles from the only store in the area that deigned to carry such things back in those days. It’s a strange feeling that I can’t quite explain, but it always inspires in me a desire to release a split of my own.

mystified Versus Seism is a split release featuring (obviously) mystified and Seism. I first ran into Thomas Park, of mystified, a little over a decade ago, and have been following his efforts ever since, but I wasn’t familiar with Seism, so I was going into this half-blind. The results were pleasantly surprising. The release itself is fairly long, with the shortest track clocking in at just over 15 minutes, but there are few passages where you feel as though things are dragging along needlessly. Seism’s dark and organic ambient complements mystified’s trademark abstractions, the former lending weight to the loftiness of the latter. “Birds On A Wire” may be the album’s weakest moment, as the length of the track becomes tedious, but the experience is saved with the random collage of sampled sound that opens “Language Of The Universe”; a beautifully restrained exhibition of haunting atmosphere. The album closes with “Edge Of The River”, a relaxing field recording of running water.

A great split and introduction to Seism, who I will be tracking down in the near future.

[Rating:3.5/5]

So, about that “details” leak…

I promised that I would leak some of the details about the next project, so here goes.

Without getting into the entire story (that will come with the official announcement), the gist of the project is to compose a track that is inspired by one of the following images:

http://www.flickr.com/photos/universallogic/4259235838/in/photostream/

http://www.flickr.com/photos/universallogic/4277919605/in/photostream/

Pick one of these images and make it your muse. No other rules. Obviously the compilation will be geared towards abstract/noise/dark ambient, as with all previous releases, but otherwise have at it. Preferably chose one image or the other, since I’m planning to divide the release by image of inspiration, but that doesn’t mean you can’t submit two tracks, one for each image. Full project information will be forthcoming in the next few weeks.

Until then, etc. etc.

Chthonium – Hades Project

Chthonium’s Hades Project is a sparse, low-key dark ambient effort. The album opens with an organic glistening that conjures up images of rattling metal sheets, and promptly establishes a solid foundation for the mood of the remaining tracks. Sounds seemingly dredged, with an exquisite softness, from an ethereal darkness hunker low creating a sense of vast emptiness crushing down from above. The sparse nature of the tracks don’t lend themselves to fading into the background, but rather to creating their own space; a space upon space within which these whispers dwell.

Keep an eye out for the curious tagging of the second track…

[Rating:3.5/5]

nightech – field carriers

With a subtleness that is not soothing, yet never deigns to be bold or harsh, nightech’s field carriers is a more traditional dark ambient undertaking. Dark washes of sound underpin the lilt of atonal synth noodlings, invoking imagery of bubbling depths and creatures of subterranean origin. I find myself wanting for aggression, as the darkness of the tracks seems blunted by their lack of edge. Otherwise, a great dark ambient album for a more relaxed mood.

[Rating:3.5/5]

New noise

Last night I took a few minutes to render and master some of Gabriel’s noise tracks. I had a little trouble with the player, but just got that sussed out, so they’re available for your listening pleasure on his audio page.

These tracks are a little more minimal than previous work. He’s moved out of the Beating Things phase and these days focuses his work on mouth noises and audio manipulation. He’s also discovered my MIDI keyboard and is obsessed with that, as well. What impresses me most, though, is when he mutes the soundcard, dumps a bunch of audio tracks in Live and spends an hour tweaking effects and moving the tracks around, while refusing to monitor his work. Then, when he’s done, he just saves it and moves on, still adamantly refusing to hear what he’s done. I haven’t decided if it’s because he’s more interested in playing with the software than he is with what he’s making, or if he’s some sort of artistic genius and this is part of his eccentricity. I guess time will tell…